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Polly
Life changes after turning 80!
8 months ago
On Thursday I headed up to Pamplona Alta by bus with my friend Jean to meet with a group of women at Mision Nazareno. Across from the church, a house had been torn down leaving the shell and interior remains. This is part of the grit of Peru Ian and I often mention. I find the piles of trash, the untended gardens, and the dog leavings difficult to view each day. My eye has not yet learned to edit out the ugly and see beyond it. Some days I find myself searching for the lovely, the beautiful, the hopeful. On Thursday I found it in the Arpillera work of these talented women.
Three days a week Jean unlocks the door of the church and welcomes a group of women to a time of sewing, listening and sharing. This work provides a livelihood for the women. Some have added bathrooms to their homes, laid tile floors in their entryways, and one even put her son through law school. For many, this is the only source of income for their family.
Jean coaches the women in their designs and suggests changes when the colors don't quite work, or the work does not match the order. In this picture, Angelica is finishing up some bags depicting farm scenes. They are lined with fabric, have interior pockets and are closed at the top with velcro. Arpillera pieces are sold to churches in the States and England and to people like Ian and me. I have a toilet roll cover that would make Kimberly Clark proud!
When I visited, we looked at a glasses case I had that also had a zipper on the side to provide storage for cell phone, keys, and money. The women were going to make up a copy to add to their designs. Here they have finished cell phone and glasses cases and oven mitts. The little stuffed dolls and vegetables are made separately and then stitched onto the backing fabric. With needle and thread, the women add short stitches to show expression and add texture. The result is colorful and three dimensional. Each creation begs to be touched. I made certain my hands were clean! I asked one artist how long it took to create the oven mitts and she said a day; the glasses cases take about 4 or 5 hours. The women work in their homes and bring their finished projects along to the church. Usually, they spend their time at the church adding finishing touches or asking Jean for advice about design questions.
Jean works on this piece to help the women decide where to put the dolls. It was a custom hanging to be given as a gift. Each of the three dolls represented a woman known to the recipient.
When I looked at this wall hanging for a nursery, I was confused by the little animals and objects within each pocket. There was no correspondence in English or Spanish. I said nothing, but when Jean returned to the work room I asked her about it. "Oh," she said, "that is going to Holland. Those correspond to the Dutch words." My appreciation rose.
Sometimes the women ask for help in deciding where to put pieces, such as the lost sheep in this hanging called Jesus the Good Shepherd. The artist will add a Jesus figure, stitching detail and some leaves for the tree. One woman had a purple cow in a design that just wasn't working. She was advised to replace the purple with another fabric.
As the women worked, I walked around admiring their ability to do such detailed work. I felt clumsy in comparison. I asked one woman to show me how the little dolls were made. Their little heads are made with a small piece of fabric stuffed with a tiny wad of batting and then wrapped with thread to create a sphere. From there, other body parts are added and stitched on. No one uses glue for assembly; it is all with needle and thread.
Arpillera is not unique to Peru, I found out. It exists in a number of South American and Central American countries. The scenes generally represent community life and/or religious themes. In the tourist markets around Lima you can buy Arpillera pieces, but the quality varies. The women at Mision Nazareno produce work of the highest quality.
This hanging is the finished version of Jesus the Good Shepherd. He is the doll figure in the middle; the sun is rising behind mountains and three dimensional sheep dot the meadow in the foreground.
I loved the color of these parrots on the glasses case. This artist had chosen the fabric, stitched it on and added puffy leaves to the branches to give the piece wonderful texture. Her work is of such high quality!
In the areas leading to Ventanilla, the houses sit up on the sandy hillsides. Ventanilla looks down onto the Pacific Ocean. The sun rises behind the mountains, and sets down below them into the ocean with its white breakers and sandy beach.
The older children take charge of the younger ones and teach them all manner of things.
Sarah with her young charges. They love her and she them! She visits their families on the hillsides after the program finishes around 6 p.m. Mothers greet her affectionately and she always asks how they are doing. On this day she had some used clothing to share with some of the families.
This young boy was ready for the program to begin. I enjoyed playing catch with him later in the area out behind the church. Children and the neighborhood dogs wandered in and out of the church during the afternoon.
I was struck by how helpful the children were in setting up the space and sweeping it clean of the ubiquitous sand. When Sarah brought out the containers of games and toys, they helped arrange them into centers. At the end, they helped put things away. She had taught them well and they took responsibility for the toys and supplies. I think they are used to helping at home with cleaning and care of siblings.